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Books

All These Ghosts

Bottom half of is a photograph of an outstretched arm in front of a tree branch. The top half is white and shows the silhouette of three birds, with one bird flying the other direction.

All These Ghosts

The Devil's Done Come Back: New Ghost Tales from North Carolina

The Devil's Done Come Back: New Ghost Tales from North Carolina

Cipher: Decoding My Ancestor's Scandalous Secret Diaries

Cipher: Decoding My Ancestor's Scandalous Secret Diaries

Atomic Family

Now What? How North Carolina Can Blaze a Progressive Path Forward

Top half of the cover is dark red with white text for the title. The bottom half of the cover is white with red text for Gene Nichols's name.

Now What? How North Carolina Can Blaze a Progressive Path Forward

Patchwork Dolls

A periwinkle background with the sketch of a girl putting tape over her mouth. Her face is blank, and her eyes and mouth are depicted to her left floating.

Patchwork Dolls

The Marriage Bed

Cover of The Marriage Bed by Tommy Hays. A photograph of rumpled bedsheets in shades of white and pale blue. The title is centered on the page in blue letters.

The Marriage Bed

Floodgate

A faded image of a river in the wake of a flood. The title is in large white block letters over a teal haze.

Fancy Meeting You

Fancy Meeting You_Marburg_cover.jpg

Fancy Meeting You

Riptide: New and Selected Poems

Cover of Riptide by Enid Shomer. An aerial image of an ocean wave crashing, with the title in large Serif letters in the impact zone of the wave.

Riptide: New and Selected Poems

The Only Way Out Is Through

A black cover with Fir leaves emerging from the shadows. The title is in white letters centered on the page, partially obstructed by the foliage.

The Only Way Out Is Through

The Curious Calling of Leonard Bush

A teal background with an orange cartoon of a bent leg shown from the knee down. The title is in bold yellow letters.

The Curious Calling of Leonard Bush

Behind the Waterline

Front cover for Behind the Waterline by Kionna Walker LeMalle, a wavy abstract design of oranges, golds, blue-greens, and brown, with the title in a bubbly bold white text.

Behind the Waterline

Bible Belt Blues: Collected Essays

A textured background resembling a field and the sky. The title is in dark blue block letters in the sky, and the author's name is in yellow text in the green field.

Bible Belt Blues: Collected Essays

Unbound: Notes from a Reluctant Disability Activist

Large black text for the title at the top and the author’s name in smaller gold letters on the right. The background is white with blue, yellow, and grey abstract shapes underlining the main title.

Unbound: Notes from a Reluctant Disability Activist

Edge of the World: An Anthology of Queer Travel Writing

The background is a rainbow filter over the sky with the words “Edge of the World” in large bright green letters, and “An Anthology of Queer Travel Writing” below it in smaller navy blue letters.

Edge of the World: An Anthology of Queer Travel Writing

The Rest of Our Lives

The background is a painting by Laurie Smithwick, yellow and teal arches with texture scraped in. The Rest of Our Lives appears in white bold letters at the top.

The Rest of Our Lives

The Book of Flaco: The World's Most Famous Bird

A photo of Flaco the eagle-owl, a tawny colored owl with bright orange eyes. The title text is in large white text on the right side.

The Book of Flaco: The World's Most Famous Bird

The Opposite of Cruelty

The top half is white and the bottom half is black. There are branches, a bird, and a red ribbon at both the top and bottom, and a window on the top right, and a mirror on the bottom left.

The Opposite of Cruelty

Dancing Woman

Cover of Dancing Woman by Elaine Neil Orr. A burnt yellow-orange background with dark blue text for the title spelled vertically, and a red bird woven between the letters.

The Saddest Girl on the Beach

An illustration of the back of a woman in a red bathing suit, long brown hair blowing in the wind. She faces away, looking at the ocean.

The Saddest Girl on the Beach

American Ending

Cover for American Ending by Mary Kay Zuravleff. A cream background with quilted red edges on the left and right, and a red illustration of a wolf in the center.

American Ending

Sex Romp Gone Wrong

Pink text over a black and white image of a woman with chin-length dark hair and wearing a dark coat blowing smoke up into the air.

Sex Romp Gone Wrong

Hello Down There

Cover for Hello Down There by Michael Parker. A black background with yellow text, and a silhouette of a man with messy hair.

Hello Down There

River Road

A stylized river in the foreground and the valleys and peaks of mountains in the background against a pinkish sky that reflects on the water.

Paul Green: North Carolina Writers on the Legacy of the State's Most Celebrated Playwright

Book cover of Paul Green anthology featuring a sepia toned picture of Paul Green.

Paul Green: North Carolina Writers on the Legacy of the State's Most Celebrated Playwright

The Legendary Caddies of Augusta National: Inside Stories from Golf's Greatest Stage

A green transparent rectangle covers the left half where the title appears in yellow text, and to the right is a Black golf Caddie crouching on a golf course with his chin in his hand.

The Legendary Caddies of Augusta National: Inside Stories from Golf's Greatest Stage

Gumbo Life: A Journey Down the Roux Bayou

Title appears in large yellow text against a background of a swamp, with cypress trees and Spanish moss. In the foreground is a boat’s prow with an illustration of a shrimp.

Gumbo Life: A Journey Down the Roux Bayou

Touring the Western North Carolina Backroads

A photograph of road along a mountain covered in bright fall foliage, with the title on the upper-left side on a tan background.

Touring the Western North Carolina Backroads

The House on Sun Street

Cover for The House on Sun Street by Mojgan Ghazirad. A blue background with shadows of birds and the title in yellow font and one orange bird in the foreground.

The House on Sun Street

Letter to My Transgender Daughter

A pink background with two cartoon deer drawn. The larger one is standing in the back and is orange, and in front is a smaller pink one.

Letter to My Transgender Daughter

Cover of Holding on to Nothing by Elizabeth Chiles Shelburne. A graining image of a cloudy blue sky, with trees and mountains making up a small strip below.

Holding On To Nothing

Carolina Clay: The Life and Legend of Enslaved Potter David Drake

Cover of Carolina Clay by Leonard Todd. A large brown clay pot inscribed and signed by the enslaved potter David Drake adorns the cover on a beige background

Carolina Clay: The Life and Legend of Enslaved Potter David Drake

The Wild Horses of Shackleford Banks: 2nd Edition

Photograph by Scott Taylor of two horses standing in the foreground. In the background is a blurred image of the sound, and the Cape Lookout Lighthouse.

The Wild Horses of Shackleford Banks: 2nd Edition

Key West Sketches: Writers at Mile Zero

Cover of Key West Sketches by writers at Mile Zero. A photograph of a silouetted dock at sunset. People stand on the dock, seeming to be admiring the sunset.

Key West Sketches: Writers at Mile Zero

Cover of Fight Songs by Ed Southern. A cream-colored background with an orange-brown dirt on the bottom third of the cover.

The Essential Mayberry

A black and white image of a group crowded around a film set in a small clearing outside.

The Essential Mayberry

Cover of Tomorrow in Shanghai by May-Lee Chai. A teal background with three large red circles.

Tomorrow in Shanghai

A cream background, with half of a flower on the top and half of a flower on the bottom. The flowers are identical with layers of yellow, read, and teal.

Upon Her Shoulders

North Carolina in the 1950s

A mint-green background with three images along the bottom. From left to right: Two black women dancing together, a white man holding a cigar, a white woman driving a convertible car.

North Carolina in the 1950s

Time and Tide: The Vanishing Culture of the North Carolina Coast

Cover of Time and Tide by Tim Hatcher. A photograph of a man standing on a pier fishing against an orange sunset.

Time and Tide: The Vanishing Culture of the North Carolina Coast

Lessons from North Carolina: Race, Religion, Tribe, and the Future of America

The cover is divided down the center, with the left blue and the right red, though there is some overlap along the dividing line. The title is centered in white block letters.

Lessons from North Carolina: Race, Religion, Tribe, and the Future of America

Gullah Culture in America: 2nd Edition

Cover of Gullah Culture in America by Wilbur Cross. A dark blue background with a painting of two black people sitting in a wheat field pictured in the center.

Gullah Culture in America: 2nd Edition

Cover of The Necessity of Wildfire by Caitlin Scarano. Image of an orange and red sunset with the silouette of powerlines and trees at the bottom. A red crescent moon is centered at the top.

The Necessity of Wildfire

In the bottom is clip art of two black boys wearing green shirts in front of purple trees. In the top right is a cloud. On the left is a black person standing on a white circular surface.

The Future of Black

A close-up photo of a closed eyelid washed in a green and pink filter. The title is centered in pink block letters.

What Makes You Think You're Awake?

A yellow background with three photographs. From left to right: a black-and-white photo of an indigenous man with a head dress; a painting of a woman in a blue dress; a man playing a banjo.

North Carolina in the 1940s

Image of a white boy wearing a red coat, where only the bottom corner of his face is shown, and he is touching his cheek as if in thought.

Rules for Being Dead

Drawing of a bird and a snake perched on a tree trunk. There is a yellow flower blooming on the left side, and the background is in shades of peach and mauve.

The Gods of Green County

Cover of Exploring North Carolina's Lookout Towers by Peter J. Barr. An aerial photograph by Kevin Adams of a lookout tower atop a scenic mountain covered in fall foliage.

Exploring North Carolina's Lookout Towers

A brown background with a painting on the lower half of the page. The painting is of four black figures standing near the waterline at sunset. The title is above the painting in pink letters.

Voices From St. Simons

Cover of Bearwallow by Jeremy B. Jones. A watercolor background resembling mountains in tones of grey-blue and green. The title is in white letters along the bottom.

A watercolor painting of a cabin in the mountains. There is a light teal plume of smoke rising from the cabin, and a large dark green tree on the right side of the cover.

Cover of Bullets and Bandages by James Gindlesperger. A painting of the war camp at Gettysburg, with the title in large block letters.

Bullets and Bandages

An illustration of a woman in shades of orange and red, with long straight hair, wearing sunglasses that reflect a blue seascape.

The Baddest Girl on the Planet

A gray metallic background with a silver trumpet in the foreground.

The Geography of Jazz

Cover of A Parchment of Leaves by Silas House. A green background with leaf shapes in a lighter tone. The title is in a dark brown centered.

A Parchment of Leaves

A rust-colored textured background with the black sillouettes of trees coming down from the top. The title is in black centered on the page.

The Coal Tattoo

Clay's Quilt

A blue and purple patterned background with dark blue sillouettes of branches. There is a mountain line along the bottom, and the title is in white block letters centered on the cover.

Cover of Indecent Assembly by Gene R. Nichol. An orange background with a a block of black that looks as if its been painted over the orange. The title is in white letters in the black block.

Indecent Assembly

A teal background with a beach sign in the foreground with a marlin on top. The title is on the first plank , and the author's name is on the second, which is orange and shaped like an arrow.

A brightly colored background of brushstrokes of teal, green, pink,, and a Black woman with an afro in the foreground looking upward to where the title appears in white text.

All the Songs We Sing

The photograph of a woman standing and facing away, looking off into the mountain landscape which is covered in fog. The title appears against the foggy sky.

Step into the Circle

A black background with the title written in white centered on the page. The 'O' in "Ghost" is a small, glowing white orb.

North Carolina Ghost Lights and Legends

An illustration of a black woman sitting on a porch swing, with a black man sitting against the wooden wall in the foreground. The bottom third is peach colored, with the authors and subtitle.

Gullah Days: Hilton Head Islanders Before the Bridge 1861-1956

Cover of Any Other Place by Michael Croley. A dark abstract mountainscape with the title in orange near the top of the cover.

Any Other Place

Cover of All We Know of Pleasure by Enid Shomer. Nude cartoon figures of varying skin tones make up the background. In the center is a dark brown block with the title in pink text.

All We Know of Pleasure

A yellow background with a red band across the middle. "Freedom Fighters" is in black on the yellow, with "and Hell Raisers" in yellow font on the red strip. At the very top are three yellow stars.

Freedom Fighters and Hell Raisers: A Gallery of Memorable Southerners

Useful Phrases for Immigrants

Cover of Breath of the Song by Jaki Shelton Green. A black background with a textured light teal center. An image of a bird and some flowers can be made out in a lighter tone on the blue.

Breath of the Song

A dark purple background with a painting of brown figures dressed in bright colors standing in a line.

Voices From the Trail of Tears

A photograph of a waterfall in a bright green forest. The title is in white block letters centered on the image.

North Carolina Waterfalls: 3rd Edition

Cover of Cape Fear Rising by Philip Gerard. A dark red background with the image of a newspaper near the bottom. The newspaper appears to be on fire.

Cape Fear Rising

Cover of Haints of the Hills by Daniel W. Barefoot. A dark green background with a bright teal skull. The title is in thin letters in the negative space of the skull.

Haints of the Hills

Piedmont Phantoms

Seaside Spectres

A textured orange background with the title in whimsical black text. The 'O' in 'Mouth' is replaced with a drawing of a sweet potato. Beneath the text are three images of food.

Well, Shut My Mouth!

The top half of the cover is a gravel road lined with fall trees. Below that is a red band with the authors name. Beneath that are three images: a mountainscape, a red shed, and sunflowers.

Touring the Shenandoah Valley Backroads

A black-and-white image of a black woman and several black children standing near a shed. There is a light green and dark red border around the image.

We Lived in a Little Cabin in the Yard

A light brown background with an image of a black child and an older black man next to a wooden structure. The child is looking at the camera.

Weren't No Good Times

A photograph of a path lined by spanish moss. The title is in white letters centered on the lower half of the page.

Tales of the South Carolina Low Country

A photograph of three men hauling a fishing net onto the shore. The sky is in tones of light teal and green, and the title is in white block letters on the left side of the page.

Voices from the Outer Banks

The painting of a battle scene in the woods. Above the image is a gray band with the title in red script, and below the image is a red band with the author.

Voices of the American Revolution in the Carolinas

Cover of Prayin' to Be Set Free by Andrew Waters. A brown background with the black-and-white image of someone working in a field and looking at the camera.

Prayin' to Be Set Free

A photograph of the Hatteras Lighthouse taken from the ocean in very dark relief. Above that is the transparent photograph of a skull.

Pirates, Ghosts, and Coastal Lore

A photograph of a skull and seashells resting in the sand, framed by driftwood. The title is centered at the top in orange letters.

Outer Banks Tales to Remember

The image of cannons pointing away along of a line of trees with orange leaves. The title is in orange letters above the cannons.

So You Think You Know Gettysburg?

A gray background with the painty of the Hatteras Lighthouse framed in the middle. The title is in black text above the painting.

Outer Banks Mysteries and Seaside Stories

Cover of So You Think You Know Gettysburg by James and Suzanne Gindlesperger. The image of cannons on a green field on a clear day. The title is in orange letters in the sky.

So You Think You Know Gettysburg? Volume 2

An orange background with an array of picture frames holding the seperate words of the title. One of the picture frames has a menu written out.

Soul Food Odyssey

At the top of the page is an image of beer taps in a row. Below that is the title on a red textured background. Below that is an image of a flight of drinks in varying shades.

North Carolina Craft Beer & Breweries

A dark green background with a Civilian Conservation Corps seal centered. The image of the seal is in shades of pink and purple, with a pine tree in the center.

A photograph of a wooden cabin at the bottom the cover. The top third is a dark green block with the title in white letters. There is a photograph of a woman holding a young girl overlapping.

A dark blue background with the image of a black man and woman sitting next to one another on wooden stairs.

On Jordan's Stormy Banks

A black and white photograph of a house on the beach. A wooden fence is in the foreground with the house in the background on a sand dune.

Ocracoke in the Fifties

A drawing of houses along the coast, with the waves hitting against a wooden fence. The drawing is in black against a white background, and the title is in black letters above the houses.

A light yellow background with the black-and-white image of a black man centered. The title is on a white block above, and both are marked with a light purple border.

My Folks Don't Want Me To Talk About Slavery

Cover of Silk Flags and Cold Steel by William R. Trotter. A beige background with the black-and-white drawing of a battlefield in a forest.

Silk Flags and Cold Steel

A drawing of a black woman holding a pail. The title is on a dark brown block on the upper right side.

No Man's Yoke on My Shoulders

Cover of Still and Barrel by John Francis Trump. The bottom of a wine barrel with the title written in the center.

A beige background with the small silouette of a minotaur centered at the bottom of the page. A large yellow circle takes up the top half of the cover, with the title centered on the page.

Minotaur Takes a Cigarette Break, The

A drawing of a mountain scape framed by two trees. A white owl sits in the left tree, and the moon is in the sky behind the right tree. The title is in pink letters in the grass below the mountains.

Mountain Ghost Stories and Curious Tales of Western North Carolina

A black-and-white photograph of two young girls sitting beside one another in matching dresses. The title is on a transparent blue strip across the middle.

Losing My Sister

A gray background with a lighter gray circle centered. The silouette of a minotaur head is centered in the circle coming from the bottom left corner, and the title is centered on top.

The Minotaur Takes His Own Sweet Time

A green patterned background with the black-and-white image of an elderly black woman sitting in a chair.

Mighty Rough Times, I tell You

A painting of General Francis Marion atop a horse in battle. There is a yellow band above the image with the title, and a dark green band below the image with the authors.

Life of General Francis Marion, The

A teal background with the paintng of a dolphin swimming next to a dock framed in the center of the page. The title is in white letters centered at the top.

Legends of the Outer Banks and Tar Heel Tidewater

A maroon background with the title centered on the top third of the page. On the lower half is a black and white photograph of the ruins of a building.

Hauntings of Williamsburg, Yorktown, and Jamestown

A black and white image of dock covered in fog. A small rowboat and marsh grass is in the foreground. The title is placed above a light green block, and is written in white letters.

Hatteras Journal

A purple background with a picture of a tree with a swing hanging from it. It appears to be sunset in the photograph and the sky is purple.

Georgetown Mysteries and Legends

Footsteps of the Cherokees

An illustration of leafless trees stretching upwards. The moon is in the center, though it's blurry, and the sky is dark blue. The title is in red letters centered at the top of the page.

Ghosts and Haunts of Tennessee

A black and white photograph of a young girl holding a cat. In the foreground, the images of three other cats are overlaid above the other image. The title is in yellow letters centered on the cover.

Ghost Cats of the South

A photograph of a house with moss and ivy in the foreground. In the window, an image of a ghost can be seen looking out from inside the house.

Granny Curse, The

A faded photograph of a young boy sitting on a porch step with a dog in his lap. The title is in yellow glowing letters at the top right of the page.

Ghost Dogs of the South

Foods That Make You Say Mmm-mmm

A tan background with a painting framed in red in the center of the page. The painting is of the ocean from the shore, with a small burning ship far out on the horizon.

Flaming Ship of Ocracoke and Other Tales of the Outer Banks, The

A photograph of a bottle of red wine next to a wineglass filled with red wine. In the background are yellow flowers and the side of a building. The title is in red letters near the top of the page.

Guide to North Carolina's Wineries

Cover of Ghosts of Georgetown by Elizabeth Robertson Huntsinger. A distorted image of a forest with light hitting the grass.

Ghosts of Georgetown

Cover of Ironclads and Columbiads by William R. Trotter. A cream colored background with the black-and-white image of a battle field.

Ironclads and Columbiads

Cover of I Was Born in Slavery by Andrew Waters. An orange patterned background with a black-and-white image of a black man centered. He is smiling at the camera.

I Was Born in Slavery

Cover of Hatteras Light by Philip Gerard. The black-and-white image of the Hatteras Lighthouse in the fog. The title is in red block letters next to the title.

The background is a black and white photograph of hands, wet with clay, working a ceramic piece on a pottery wheel. A finished green vase is laid above the background image.

Jugtown Pottery 1917-2017

A photograph of a mountain scape with mountains in the foreground and valley in the background. The sky is cloudy, but rays of sun shine through.

Cover of The Jamestown Adventure by Ed Southern. The background is a map of the Jamestown Colony in Virginia, with the title in green text on top.

Jamestown Adventure, The

Cover of Great Waterfalls of North Carolina by Neil Regan. A photograph of a large waterfall cascading down a rock face, surrounded by trees.

Great Waterfalls of North Carolina

The background is light green and white with a transparent figure centered. Layered above that is the title in slightly transparent black letters, and the author in red letters.

First in Flight

A photograph of a plane on a sand dune. A figure dressed in black stands to the right of the plane. The sky is gray above the sand, and the title is in white letters below the plane.

First in Flight

Cover of Far More Terrible For Women by Patrick Minges. An elderly black woman sits in a chair holding a cane, frowning. The title is overlaid above the image.

Far More Terrible for Women

A photograph of a man nealing on a boat, holding a fish. He is bending down, close to the fish. He is holding his fishing pole in his other hand and smiling at the camera.

Fishing North Carolina

Cover of The Drunken Spelunker's Guide to Plato by Katy Giuffre. A gray background with the title taking up the whole space.

Drunken Spelunker's Guide to Plato, The

A grainy photograph of a woman in a red shirt and black shorts standing on a rock looking out at the mountainscape before her.

Best Hikes of Pisgah National Forest, The

A dark green background with the black-and-white image of two black people in front of a wooden cabin. Above the image is the title on a light purple block.

Before Freedom, When I Just Can Remember

Cover of The Dark of the Island by Philip Gerard. An image of a pier at night, with a single light far down the pier.

Dark of the Island, The

Four different photographs border the page, all black and white, with red borders. The title is centered on the left, in black letters over a yellow background.

Andy Griffith Show Book

A photograph of Bob Garner facing the camera and smiling slightly. His arms are crossed, and he is wearing a blue longsleeve button-down. The title is in red letters at the top of the page.

Bob Garner's Book of Barbeque

Cover of Black Indian Slave Narratives by Patrick Minges. A black-and-white image of a man with a cowboy hat looking at the camera. The title is in red font overlaid on the image.

Black Indian Slave Narratives

A photograph of a sand dune with a horse. There are footsteps walking side by side in the foreground.

Cumberland Island

Cover of Cherokee Voices by Vicki Romeza. A bright orange background behind the painting of a man with a bright cloak around his shoulders.

Cherokee Voices

Two photographs: The top photograph is of the helm of a ship taken from further back on the ship. There are navy soliders crowding the ship. The bottom photo is of a navy ship from far away.

Boys of the Battleship North Carolina

Cover of Arlington by James Gindlesperger. The photograph of Arlington Cemetary. The trees are yellow and it is a clear day.

Civil War Blunders

Boogers and Boo-Daddies

Cover of Bushwhackers by William R. Trotter. A cream colored background with the black-and-white sketch of a man holding a rifle and crouching down.

A dark rust background with the painting of a white bowl with a man's face behind it framed in the center of the page. The title is in black letters centered above the painting.

Blackbeard's Cup and Stories of the Outer Banks

A painting of a pirate in a red coat fighting woth two other figures in navy coats. The pirates sword is arced back, prepared to swing.

Blackbeard and Other Pirates of the Atlantic Coast

Cover of Blackbeard the Pirate by Robert E. Lee. A red background with a framed drawing of blackbeard standing on the shore. The title is in black letters above the drawing.

Blackbeard the Pirate

In This Paradise

Far Sides of the Only World

Cover of Dead on Arrival by Jaki Shelton Greene. A gray background with the photograph of a gold cast of a human face, with a snake coiled around it.

Dead On Arrival

A photograph of a red and white quilt with cushions and bowls of stones and artifacts on top. The botton third of the cover is a butter yellow with the text in red font.

An image of a black man picking cotton. The top third of the cover is maroon with a burlap trim along the top. The title is in white text on the maroon.

Chained to the Land

20180829_120755%5B3830%5D.jpg

singing a tree into dance

The black and white photograph of a child nursing, but only the mother's hands are pictured. The title is in light blue block letters above the photograph.

Suddenly, Fruit

Flying Days, The

Boy Returning Water to the Sea

A painting of a man huging a red wolf against a mustard-yellow background.

Book of Ystwyth, The

An abstract painting of a figure staring at something in their hands. The painting is in dark shades of brown and red, and the figure can only just be made out.

and Aeneas stares into her helmet

A photograph of three hands holding one another against a dark background. The top hand has a ring on the middle finger.

Cover of a half-red sea by Evie Shockley. A painting of a grey sea with a red cloudy sky, framed by lavender and red lines containing the title.

Cover of Inside the Money Machine by Minnie Bruce Pratt. The photograph of a blossoming tree very close to the lens, with a streelight and road signs in the background at night.

Inside the Money Machine

A light green background with the photograph of a dense forest with light filtering through centered on the page. The title is above the image.

Living Above the Frost Line

Cover of Crowns of Charlotte by Lee Ann Brown. The photograph of a woman looking closely at a chandelier. She is wearing a pink ruffled dress. The title is in red script font.

Crowns of Charlotte

Goldberg Variations

Cover of Matching Skin by Shirlette Ammons. The background is textured red and orange, with the title in opaque white text.

The photograph of concentric circles of different colors and paint drips. The title is in white block letters at the top of the page.

What Else Could It Be

A beige background resembling paper, with the black-and-white image of a white woman holding a small white boy and smiling.

Churchboys and Other Sinners

Cover of The Hands of Strangers by Michael Farris Smith. A worn photograph of a city and a cloudy sky with a tear down the center. The title is in red block letters centered.

Hands of Strangers, The

Letters Lost and Found

Cover of Punish Honey by Karen Leona Anderson. A man made beehive glowing from the inside though it is dark outside.

Cover of Binary Stars by Dana Koster. A red galazy full of stars, with the title centered at the top of the page.

Relative Strangers

A navy background full of stars and consellations, with the title in white cursive with a pink glow, like a neon sign.

Midnight Bowling

Cover of A Falling Star by Chantel Acevedo. A band of white at the top containing the title. Beneath that is the image of a girl in a white dress standing in the ocean.

Cover of Mulberry by Paulette Boudreaux. A light blue background with yellow leaves. The title is in black block letters centered on the cover.

A teal background with bands of intricate designs over differently colored backgrounds of pinks and oranges. The title is centered in black letters over a pink background.

Hola and Goodbye

In the Arms of Our Elders

Cover of The Ice Garden by Moira Crone. The photograph of pine leaves covered in frost, in shades of dark purple.

A photograph of a grassy field with a trail through it. In the background is a mountain line with clouds. A transparent gray block is on the left side of the image.

Smokies Chronicle

A textured red background with the drawing of a camera at the bottom, cut off by the end of the page. The strings of the camera strap lay across the cover, with the title in yellow letters.

A small yellow bird sits in the bottom right quadrant, with a starburst of yellow and red behind him. The title is in black letters above the starburst pattern.

Little Domesday Clock

Cover of Woody Durham: A Tar Heel Voice by Woody Durham and Adam Lucas. The image of Woody Durham smiling at the camera against a black background, with his hands resting on a basketball.

A photograph of two people walking a dog on a trail next to a lake. In the background are several trees in shades of orange and yellow.

Trails of the Triangle

Cover of Helping Our World Get Well by Beth Bacon, illustrated by Kary Lee. An illustration of five children standing around the Earth, bumping fists in the center of the Earth.

Cover of Ayudemos al Planeta a Ponerse Bien by Beth Bacon, illustrated by Kary Lee. An illustration of five children standing around the Earth, bumping fists in the center of the Earth

Helping Our World Get Well

Cover of Covid-19 Helpers by Beth Bacon, illustrated by Kary Lee. An illustration of a child wearing a mask, with their elbows propped up on a windowsill.

Cover of Ayudantes en Covid-19 by Beth Bacon, illustrated by Kary Lee. There is a tan background with an illustration of a child wearing a mask, with their elbows propped up on a windowsill.

Covid-19 Helpers and Ayudantes en Covid-19

What if Wilhelmina

An illustration of a young girl with short kinky hair holding a paints. By her feet are spilled paint cans, and a cat runs trailing pawprints. The title is in rainbow letters.

What if Wilhelmina

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